1. Sewing: Continue work on the small piece I started last week, which is a fabric interpretation of an abstract painting by Katy Vigeland. Katy's a friend from the other group I'm in, the Salem Art Group (SAG). I instantly fell in love with these two abstract paintings that she brought to a meeting last fall:
|Abstract painting by Katy Vigeland.|
|Another of Katy's abstract paintings.|
This is the first of Katy's paintings I chose to interpret in fabric.
|The start of my interpretation of her first painting above.|
|Some of the other fabrics to be fit into place and stitched.|
|(Dried) flour-paste resist on white PFD fabric|
|Words and textures scratched into the surface.|
|A bit more doodling.|
I'll also add some thickener to some dye colors for deconstructed screenprinting. After the thickened dyes are dribbled down the back of the screen, textured objects are embedded into it and left to dry. More on the process (and my results) in the next post.
3. Find new design inspiration: I played around with some watercolors last week with the goal of then using two L-shaped cropping corners to find what Katie Pasquini Masopust calls "the heart of the image," an area that can be used as the design basis for an art quilt. (This is just one of the great ideas I've rediscovered while looking through Katie's book Design Explorations for the Creative Quilter.)
|My first page of watercolor play -- not very interesting.|
|My second effort was more exuberant and probably has some areas of interest.|
I choose dyeing! I'll post my results later.