I also set myself a goal of working with colors I've never worked with before -- neutrals.
|Soft grays, ivory, light blues, lavenders, and greens.|
I was envisioning soft colors that imparted a calm and soothing mood, but it was too calm for me, even with the tiny inserts of the mosaic print that I've been waiting to use. It was time to add a few strips of darker values to the strata I'd already stitched.
|Two sections stitched, contrast added, and still "blah."|
That added some much-needed contrast, but it still wasn't talking to me yet. So I went with the Portlandia cliche and put a bird (or two) on it. And with that addition, a personal theme emerged . . .
and I knew it was time to turn away from my sketched idea and work from intuition. Next step: cut up the large sections I'd stitched together and reuse smaller bits of them in more interesting ways.
|Sneak peek at revised design idea.|
Note for tomorrow: Have fun, lighten up, breathe, and think about why the birds are included in this quilt and why I'm humming snatches of Neil Young's Expecting to Fly.