New samples for winter classes

It was a very busy week!  I didn't get any photos at our meeting last Monday because of poor lighting, but next month should be a different story.  That's our holiday potluck dinner, where we'll exchange fabric postcards (this year we're adding a distinctive Portland spin on the cards: Put a bird on it!) AND unveil our Letters challenge quilts.  And it will be at Deb's, where the lighting is much better.

Last week's stormy weather was good for keeping me at home, working on the samples for the three new classes I'm teaching this winter at Greenbaum's Quilted Forest (Salem OR).  In fact, I turned them in just one day late, and that was because I kept adding tiny details to my fabric collage (Hello Mr. Sun) to create more definition.  That project is for my Serendipity Quilts class from the book by the same title (Susan Carlson, author).

"Hello Mr. Sun" class sample.

I still see areas that beg for more detail, but I had to stop and get this guy delivered!  That's okay; I'll use it in class at a teachable moment -- an opportunity to show the impact made by the tiniest of details.

Eye detail of "Hello Mr. Sun."

Detail of lips on "Hello Mr. Sun."

My sewing machine was so sweet and compliant as I did the free-motion quilting on Mr. Sun.  I used rayon threads for the soft gleam they impart (light gold for the sun and a medium blue for the background). 

My next duo of samples is for the Zen Quilts class, and is based on the concept of Zentangles, a type of doodling I've played around with for the past 5 years. I just now clicked on that link and visited their website for the first time in quite awhile, and I am WOWed by its popularity.  There are even yahoo groups set up for sharing the tangles that people have come up with!  (tangle is the term for a specific doodle design).

"Zen Quilts # 2 & 3"

 My third new class is the one I'm most excited about.  For me, surface design on fabric is all about making discoveries, and I love sharing those techniques.  When you combine fiber reactive dyes with a soy wax resist, you get batik!  To make my sample for this easy batik class, I simply cut some of the pieces I've made and stitched them together: 

Samples for my soy wax batik class.

With Thanksgiving behind us and my class samples finished, I'm ready to concentrate on pulling together all my ideas for our Letters challenge and choosing a starting place. 

Glitz and Glitter

Awesome Angelina Sampler, in progress

 

 This is one of the new classes I'll be teaching at Greenbaum's Quilted Forest this spring/summer.  I wanted to design something simple to show some of the many ways to use Angelina fibers and films. 

It's been fun to play with, moving pieces around, auditioning different 3" x 3" background patches for the nine squares, fusing different combinations of colored fibers, and generally keeping an open mind during the design process.  That's the joyful part for me -- being open to all possibilities until the very end, approaching the project with a spirit of playfulness.   I may still move some of the elements around . . .  lots of extra little circles from fused Angelina have been cut and they might be sprinkled throughout the piece.  We'll see!

Detail:  dragonfly square

Some stitching is still needed in places, such as detail of the dragonfly wings.  This project is nearing completion, and then it's on to finishing my other new class samples!